MatteScreen

Review: ‘The Furious’ (2026)

Rhys Austin
Kenji Tanigaki a veteran stunt coordinator who finally stepped into the director’s chair has brought the raw, unfiltered adrenaline of classic Hong Kong cinema straight back to the big screen. ‘The Furious’ is a kinetic, no-holds-barred assault on the senses that fully lives up to its name. Operating in the......

Review: Borderline (2026) – Short Film

Rhys Austin
Johannes Vang’s latest short film ‘Borderline’ might be short, but it certainly does feel like he chose an easy route to gain attention. It’s the kind of high-concept, low-delivery film that takes a sensitive subject and attempts to water it down through satire. The film is written by Wilhelmina Silba......

REVIEW: ‘In The Grey’ (2026)

Rhys Austin
Guy Ritchie’s ‘In the Grey’ is a sleek, hyper-stylised reminder that the director remains modern cinema’s most reliable chaos merchant. The man simply understands the rhythm of swagger—the quick-witted banter, the loaded glances, and the sharp contrast of expensive tailored suits brushing up against raw, bloodstained violence. This latest globe-trotting......